Ms. Hoi-yin Wan started learning the violin with her father at the age of five. Since the first appearance with the Guangzhou Symphony at seven, Wan began to be recognized by the public. Being one of the only two recipients of the Meritorious Scholarship, Wan entered the Affiliated Middle School of Xinghai Conservatory of China in 1989.
After graduating with a Diploma from the Hong Kong Academy for Performing Arts in 1995, Wan was granted a full scholarship to study in the United States. She was chosen to be in the studio of two most inspiring female violinists of the country – Ms. Camille Wicks and Ms. Fredel Lack. Wan received her Bachelor of Music with Distinction from the San Francisco Conservatory of Music, and subsequently a Master’s degree from the prestigious Manhattan School of Music in New York City, where she had the opportunity to meet some greatest violinists such as Midori, Cho-Liang Lin, and Glen Dictorow.
Ms. Wan is a very active performer who has worked with famous orchestras including Jeunesse Musicles World Youth Orchestra, Schleswig-Holstein Music Festival Orchestra in Germany, Pacific Music Festival Orchestra in Japan, New England Symphonic Ensemble, Atlantic Philharmonic Orchestra, American Pops Orchestra, Seoul Symphony, Southeast Texas Symphony, and Galveston Symphony. In addition, Wan served as the concertmaster in the New York Chamber Opera, the Woodland Symphony, and as the Principal Second Violin of the Hong Kong Sinfonietta.
As a soloist, chamber musician, and an orchestral player, Wan shared the stage with well-known artists such as Kurt Masur, Christoph Eschenbach, Charles Dutoit, John Corigliano, Marilyn Horne and Winton Marsalis throughout Europe, North and South America, and most parts of Asia. In Hong Kong, her solo performances and chamber recitals are frequently broadcast on RTHK. In a duo partnership with Gilbert Sak, they have been invited by the Hong Kong Economic and Trade Office to perform in Stockholm and Helsinki. They have also recorded for Radio 4 of RTHK, performed in HKUST Arts Festival, Musica del cuore, and Hong Kong Museum of Art Concert series.
Wan had her first CD album released in 2003, featuring 17 easy-listening violin pieces. Wan is currently on the faculty of the Hong Kong Academy for Performing Arts.
Sak Ting Wai Tegwen started to learn the violin from her parents at the age of three and a half. She passed the Trinity College London violin grade 8 examination with flying colours, and attained ATCL and LTCL performance diplomas in 2015 and 2016 respectively. She had also won a number of prizes from the Hong Kong Schools Music Festivals and other local music competitions.
As a Form 2 student currently studying at St. Paul’s Co-educational College, Tegwen enjoys playing chamber music and participating in orchestral training and performances. In the past, apart from joining the primary school’s string orchestra and symphony orchestra, she also participated in performances by the Hong Kong Metropolitan Pop Orchestra, and the Hong Kong Civic Youth Orchestra of which her father was the music director. Tegwen recorded for Radio 4 of RTHK for the first time in 2017 in a duo performance with her father. Subsequently, she shared the same stage with both her parents in a trio performance in the City Hall Concert Hall.
As the first Hong Kong native to have received a doctorate in violin performance, Gilbert Sak started learning the violin from Mr. Ngai Ho Chau at the age of 8. He then furthered his studies in Germany, England and the U.S.A., under the tutelage of a number of world famous violinists and pedagogues including Michael Goldstein, Albert Markov, Petru Munteanu, Yfrah Neaman, and Dr. John Bauer. He has participated in master classes with Werner Scholz, Stefan Georghiu and David Kim, and has received coaching from members of the Guarneri Quartet, Orion String Quartet and American String Quartet.
Dr. Sak has held principal positions in a number of orchestras in the U.S.A. His participation in international music festivals and concert tours has brought him to countries like China, Japan, Korea, Singapore, Malaysia, Italy, Germany, Sweden, Finland and the Switzerland. Upon his return to Hong Kong in 2000, he has been sought after and active as a chamber musician, giving recitals frequently in various chamber ensembles, performing on both the violin and viola. From 2001 to 2014, he held the position of 2nd Violin Principal and subsequently Co-Leader with the City Chamber Orchestra of Hong Kong. In a duo partnership with his wife Winty Wan, they have been invited by the Hong Kong Economic and Trade Office to perform in Stockholm and Helsinki. They have also recorded for Radio 4 of RTHK, performed in HKUST Arts Festival, Musica del Cuore, and Hong Kong Museum of Art Concert series.
As a teacher, Dr. Sak has taught violin, viola, string pedagogy, performance studies and chamber music at the Hong Kong Baptist University, the Hong Kong Academy for Performing Arts, the Hong Kong University, the Chinese University of Hong Kong and the Hong Kong Institute of Education. Many of his viola students are holders of ATCL & LTCL diplomas, and graduates of such institutions as the Royal College of Music, Trinity College, Royal Northern College of Music, and the Hong Kong Academy for Performing Arts. He has been invited frequently by the Leisure and Cultural Services Department to give lectures and pre-concert talks on string music. In 2009, he was appointed as Hong Kong Consultant in Strings by Trinity Guildhall of London.
Terzetto in E minor for Two Violins & Viola, Op. 61, No.1
- Langsam mit sinnigem Ausdruck-Heimlich bewegt
- Lebhaft bewegt (Scherzo)
- Langsam sehr zart (Romance)
- Lebhaft übermütig
Terzetto in C major for Two Violins & Viola, Op. 74
- Introduzione. Allegro ma non troppo
- Scherzo. Vivace — Trio. Poco meno mosso
- Tema con variazioni. Poco Adagio—Molto
Tango arr. for Two Violins & Viola
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